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You can set the intermediate objects in the blend group as child objects of the blend, which causes them to behave as blend control objects The properties of these child blend objects can be edited in the same way as control objects, which in turn affects the appearance of the Blend effect applied between the original parent control objects and/or other child blend objects The action is referred to as splitting When split, the blend objects between the child objects and the control objects become child blend groups By creating and moving child blend objects, you can have a blend follow an indirect path between its parent control objects This affects the appearance of the child blend groups between the child and control objects As byzantine as this sounds, the effects can be absolutely spectacular; they more than pay for your mental gymnastics, and this is as difficult as it gets for complex blends Child objects controlling a split blend can also be returned to their original state as blend group objects, which eliminates the split This is called fusing and is done using the Fuse End command Figure 21-13 shows in detail the before-and-after effects of a split blend; familiarize yourself with what the visual effects are of splitting and fusing a Blend effect In splitting, two blend objects within a blend group are specified here as child blend objects and then moved, resulting in a multipoint blend Each time the blend is split, a new set of interactive markers appears between the control and child blend objects on the path of the child blend group

Use This Policy Rule: Visual Effects | Turn off desktop wallpaper Visual Effects |Turn off menu animations Visual Effects |Turn off window contents while dragging

You can split an existing Blend effect by using the Interactive Blend Tool and Property Bar options Fusing a split blend is done the same way as using the Fuse End command Let s take a dip in the deep end of the pool in the following tutorial and put all these explanations to hands-on use

Splits and Blends: The Fun Never Ends!

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Compression level for image acceleration SpeedScreen | Image acceleration using and image acceleration for dynamic lossy compression graphics Client audio mapping Devices connected to a local COM port Cut-and-paste using local clipboard Printers connected to the client LPT port Custom devices connected to the client through OEM virtual channels Client session Printing TWAIN device (such as a camera or scanner) Session Limits | Audio Session Limits | COM ports Session Limits | Clipboard Session Limits | LPT Ports Session Limits | OEM Virtual Channels Session Limits | Overall Session Session Limits | Printer Session Limits | TWAIN Redirection

CHAPTER 21:

FIGURE 21-13

In 1 we ll take a look at the myriad features that you ll find on digital cameras, both low-end and high-end If you re still contemplating which digicam to buy, this chapter is a must The nature of digital cameras is that they can do tricks film cameras are not capable of Even if you re experienced with film cameras, get to know what the new world of digital cameras is like 2 is a side trip to scanners on the assumption that, like most people, you have a shoebox full of old photos that are fading, discoloring, and deteriorating almost before your eyes With an inexpensive scanner you can save what are invaluable family heirlooms for future generations With the right software, you can restore them to their original glory This chapter shows you how In 3, you ll learn how to put all those buttons, dials, menus, and other doohickeys that come with your digital camera to use But it s not just about technical stuff It s also about technique We ll look at how to use any camera to shoot better photos 4 takes us to Photoshop Elements, available as free trial software on the Internet, and how you can use it to retouch those old photos you rescued with a scanner back in 2 You ll learn the concept and methods of the digital darkroom to improve the photos you shoot with your digital equipment 5 takes the digital darkroom into an alternate universe where you can transform your photos into images of worlds that exist only in your mind Believe me, this stuff is fun 6 covers the printing of your photographs so that you can foster them off on all your relatives who don t have computers The chapter pays particular attention to producing the highest-quality prints using inks and paper that will ensure they don t fade before the memories do And because this is a digital world, 7 looks at how you can share photos without photo prints You ll see how to save your pictures to CD, as DVD shows, and on the Internet Finally, the appendix is a buyer s guide to digital cameras that lists the top-ten cameras appropriate for three categories of photographers: the birthday party photographer; the enthusiast; and the professional Determine which category you fall under, and then choose the camera that s best for you.

Tables 17-1 through 17-5 present rules you can configure within a policy Policies can contain multiple rules Table 17-1 presents rules related to bandwidth usage Table 17-2 presents rules related to mapping various functions to client devices

A blend between two polygons with different colors is fine But when two of the blend group objects are split, and the child objects are repositioned and then assigned new fills, you re talking something visually complex and fascinating!

it around on the page The effect should remind you of editing a path with the Shape Tool this child blend object is a node, and you alter the path of the blend by moving this object

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